Wednesday, December 14, 2011

Actions Speak Louder Than Words

As children we were taught that our actions speak louder than our words. Throughout my life, I have discovered this lesson to be true; however, it is only now, as I read Crime and Punishment, that I have found a piece of literature that fully demonstrates this lesson.

Why is this important? And what’s the point?

This is a statement I am sure many of us state or think throughout our lifetime, but this is a particularly important issue in literature because it is important to discover the purpose underlying the author’s writing. While researching background information, I found a statement by Nikolay Strakhov that partially answers my question by recalling reviews of Crime and Punishment Strakohov stated, “[it] was the literary sensation of 1866.” Even today, Crime and Punishment is still considered a “sensation” being read by readers of all ages. But why does this novel attract a reader? Many characters lack morals –religious or social- in their actions. Drunkenness, prostitution, lies, and murder are significant to the plot of the novel. And it was written in another time and place, which many readers have never experienced. Yet, on many reputable lists of literature, Crime and Punishment it is a “must” read. So, what is the attraction?

With so many different meanings and implied messages, a reader can find different messages to take away from such a novel. In this novel, Dostoevsky writes of pure human emotion, actions, and the psychology of man when reacting to certain circumstances and the resulting demonstrations of good, bad, and ugly behavior and examples of mankind’s character. Raskolnikov, like many of his fellow Russian citizens, experiences poverty, “He was crushed by poverty, but the anxieties of his position had of late ceased to weigh upon him,” however, it was his actions not his position that leads him to his crime. In the mists of Raskolnikov’s problems, he is able to find truth within himself rather than the lies he previously told himself,“…all his old past, his old thoughts, his old problems and theories, his old impressions and that picture and himself…”and finding the meaning behind his actions that lead him down a dark path are relevant to determing what is important. Many of the characters find themselves acting not for themselves, but for others. Sonia, for example, becomes a prostitute in order to help her family survive and eat; but because her father wastes the money by drinking, all the good that could have come from such a degrading act is undone. Dostoevsky discusses the actions of man and why such actions are performed, “Actions are sometimes performed in a masterly and most cunning way, while the direction of the actions is deranged and dependent on various morbid impressions-it's like a dream.” Some actions are pre-planned and organized thoroughly, but yet, stray from the original intention and cause an unintended result.

When I was little, I was taught the lesson regarding the consequences of actions and words and this helped me create my moral compass. The consequences of the actions and words of the characters in Crime and Punishment helped further this lesson. Actions are within a person’s ability to decide what is right and what is wrong, and to act accordingly. Thus, a person can determine their future from past experiences and decisions they made.

Sunday, October 30, 2011

Cordelia's Family Debacle

Have you ever had a disagreement with a family member? What was the extent of the disagreement? Most families would not allow a disagreement to result in banishment of one person from the house. In King Lear, Lear decides to do exactly this, by banishing his daughter, Cordelia, from his kingdom. This decision begins the division of the family only to become increasing large by the actions of his two selfish daughters, Goneril and Reagan, who seek more power thus, deciding to cast aside Lear to gain more power. Although Cordelia could refuse to speak or help her father, she decides instead saves Lear from her brutish sister only to result in her own death.

My question throughout the play, was if Cordelia had too much pride and was too loyal? Cordelia could play her father’s game like the rest of her sisters and gain her piece of his land. But she does not, thus she banished from England. Cordelia could as she intended find her sisters and question them, “Shall we not see these daughters and these sister?” (5.3.8) however, she goes quietly to jail as her father desires. By not find her sisters she instead hangs (although it is questionable whether her sisters would do anything to help her). These actions and decisions could be a debate as to being the key to solidifying her future of death. Cordelia, with the flaws of pride and loyalty, is unable to turn her back to her father and escape to a different future and life; instead she has a fate few would desire. The belief of fortune and fate could be avoidable, “Myself could else outfrown false Fortune’s frown,” (5.3.9) instead Fortune does not look kindly upon Cordelia, thus, she dies. With this solidification of death and having major flaws of pride and loyalty, Cordelia could be considered one of the tragic heroes in King Lear. The tragic death of Cordelia however, does not go unnoticed; she instead like many tragic heroes is able to teach a lesson to all of King Lear’s characters and future generations of readers and viewers of Shakespeare’s greatest tragedy.

I believe Shakespeare uses Cordelia to show the flaws of pride and loyalty as a fault, you can have too much pride and too much loyalty leading you astray. Also Cordelia shows that life is full of choices. The choices we make dictates our future- a choice of this or that- these choices are in our control; however, our fate is out of our control. For example, Cordelia chooses to stay with her father, however, Fortune decides it is her time to die.

In the picture above, in the Elizabethan era’s Fortune wheel is the essence of Cordelia’s fortune and fate throughout the play. Cordelia is born into nobility and marries the King of France - top of the wheel- who values her not for her wealth, but as a person. However, Cordelia- bottom of the wheel- is banished, gets no land from her father, and dies. The wheel, as Shakespeare describes in many of his plays, has a tendency to change when least expected. And we are fortune’s pawns to be moved as pleased however, we can make our choices to thus dictate our character.